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The History of British Basket Making
Early baskets were probably much like those found in the farms of highland regions, until the second half of the twentieth century. 'Frame' baskets were constructed with wild materials on simple but time-consuming principles, and in these areas basket making mostly remained a seasonal job reserved for the dark days of winter. In lowland Britain the weaving of willow, using different techniques, developed into a profession and ultimately a sizeable industry.
The number of craftsmen employed and the output of their labours must have been immense, but such are the temporary nature of willow and the humble status of the basket maker that the evidence of the scale of production has all but disappeared. In practically every instance where today one needs cardboard, plastic or plywood for packing material, two hundred years ago this need would have been met by wickerwork.
Fruit and vegetables were gathered from the fields into baskets; fish, poultry and dairy produce were all packed into wicker for the journey to the town markets. Jobs requiring the transport of bulky materials such as manure or rubble needed baskets, and not only were rural items such as animal muzzles, bird traps and beer strainers made of willow, but so were the travelling trunks, hat boxes and umbrella holders of the well-to-do.
The distribution of workshops depended on local demand and favorable conditions for growing willows. In certain counties these factors combined to create a concentration of makers, often within a small area of several villages.
Guilds of basket makers were formed. Records show that the Worshipful Company of Basket makers of the City of London was established before 1469. This company was eventually granted a royal charter by George VI in 1937, but by then its old responsibilities had long since been taken on by the trade unions.
Decline of the basket trade has continued throughout the twentieth century for many economic reasons. An economy in which time has much value and quality very little has no place for a durable product that is extremely labour-intensive. Moreover, where the use of wicker has still been viable, the cheapness of foreign labour has often led to basket importation.
British basket makers, as members of an industrially advanced
country, started to experience the undermining of their trade in the second half
of the nineteenth century. Imports from the Netherlands, Germany and France
severely affected the makers of agricultural work up to 1939. Wartime renewed
the demand for baskets but since then competition in the domestic market has
continued from the products of Spain, Eastern Bloc countries such as Poland, and
the Far East.
Today, accomplished basket makers are few. The blind workshops still produce articles of a robust nature superior in strength to importation, although not necessarily very refined. In comparison many other makers, in attempts to beat importation on the same ground, have taken short cuts and generally lost the merits and quality of traditional willow work.
My Family Tree is a 60 minute documentary that I have made with my digital camcorder and edited into a video production.
This documentary is the story of four families. It is the story of my father's parents, Brigden and Chapman, and my mother's parents, Crowhurst and Plowman.
The video can be purchased for £5 plus £2 postage and packaging. To order a copy click here